
Ana Benaroya, Begin the Beguine, 2023, India ink and marker on bristol board, 36.8 x 29.2 cm (14 1/2 x 11 1/2 in)

Marius Bercea, Untitled, 2023, Charcoal on paper, 70 x 50 cm (27 1/2 x 19 3/4 in)

Marius Bercea, Untitled, 2023, Charcoal on paper, 50 x 70 cm (19 3/4 x 27 1/2 in)

Marius Bercea, Untitled, 2023, Watercolour on paper, 40 x 30 cm (15 3/4 x 11 3/4 in)

Marius Bercea, Untitled, 2023, Graphite on paper, 42 x 33 cm (16 1/2 x 13 in)

Sara Birns, Caught in the Neighbour's Yard, 2024, Oil Pastel and coloured pencil on tan paper, 55.9 x 76.2 cm (22 x 30 in)

Sara Birns, Snowflake, 2024, Oil Pastel and coloured pencil on tan paper, 38.1 x 27.9 cm (15 x 11 in)

Rob & Nick Carter, Chinese Whispers, Roy Rogers after Andy Warhol (c.1948), 2015, 30 drawings by 30 different artists, pen on paper, framed, Framed: 152 x 130 cm (59 7/8 x 51 1/8 in)

Marc Dennis, Study for Allegory of All That's Wrong with the World, 2023, Graphite and charcoal pencil on paper, 50.8 x 50.8 cm (20 x 20 in)

Marc Dennis, Study for Sideline, 2023, Graphite and charcoal pencil on pencil, 50.8 x 40.6 cm (20 x 16 in)

Marc Dennis, Study for Wicked, 2023, Graphite and charcoal pencil on paper, 45.7 x 61 cm (18 x 24 in)

Conor Harrington, A Potted History of Pomp, 2023, Charcoal on paper, Unframed: 152 x 120 cm (59 7/8 x 47 1/4 in)

Haroun Hayward, Beaulieu sur Mer (Night) no 6, 2024, Watercolour on paper, Unframed: 76 x 56 cm (29 7/8 x 22 in)

Rachel Howard, Her Kind, 2019, Ink on paper, 41 x 34 cm (16 1/8 x 13 3/8 in)

Rachel Howard, WW, 2023, Ink on paper, 36 x 30 cm (14 1/8 x 11 3/4 in)

Christian Rex van Minnen, Spectrum, 2022, Monotype (Oil-based ink on Rives BFK), 49.5 x 33 cm (19 1/2 x 13 in)

Christian Rex van Minnen, Word is Magik, 2022, Monotype (Oil-based ink on Rives BFK), 49.5 x 33 cm (19 1/2 x 13 in)

Mathew Weir, Apocalypse (after Hans Burgkmair), 2022, Blood on paper, Framed: 45 x 39 cm (17 3/4 x 15 3/8 in)

Mathew Weir, Flayed Man (after Gaspar Becerra), 2022, Blood on paper, Framed: 50 x 38 cm (19 3/4 x 15 in)

Mathew Weir, Salome (after Hans Baldung), 2022, Blood on paper, Framed: 45 x 39 cm (17 3/4 x 15 3/8 in)
Accompanying the first Episode, Bump is a smaller survey – a second Scene - of Bumps on Paper, featuring a medley of works executed in inks, watercolours, pastels, charcoal, pencils, and even blood. Ten artists continue to explore the germination, efflorescence and eventual bloom and boom of the bump in their work; this time, however, in moments invariably more graphic in sensibility and application and always executed on the more supple yet ticklish surface that paper provides. The result is a diverse group of works that engage with a veritable slalom of bumps and consequently deliver a spectrum of unexpected encounters and palpable flukes as they navigate the confines of their object whilst excavating the possibilities of their subject through the alchemy of their craft.